Download PDF Wolf Hall, by Hilary Mantel

Download PDF Wolf Hall, by Hilary Mantel

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Wolf Hall, by Hilary Mantel

Download PDF Wolf Hall, by Hilary Mantel

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Review

“Hilary Mantel's Wolf Hall is a startling achievement, a brilliant historical novel focused on the rise to power of a figure exceedingly unlikely, on the face of things, to arouse any sympathy at all . . . . This is a novel too in which nothing is wasted, and nothing completely disappears.” ―Stephen Greenblatt, The New York Review of Books“Nothing in the last few years has dazzled me more than Hilary Mantel's Wolf Hall. . . . Magnificent.” ―Elizabeth Gilbert, author of Eat, Pray, Love“On the origins of this once-world-shaking combat, with its still-vivid acerbity and cruelty, Hilary Mantel has written a historical novel of quite astonishing power. . . . With breathtaking subtlety--one quite ceases to notice the way in which she takes on the most intimate male habits of thought and speech--Mantel gives us a Henry who is sexually pathetic, and who needs a very down-to-earth counselor. . . . The means by which Mantel grounds and anchors her action so convincingly in the time she describes, while drawing so easily upon the past and hinting so indirectly at the future, put her in the very first rank of historical novelists. . . . Wolf Hall is a magnificent service to the language and literature whose early emancipation it depicts and also, in its demystifying of one of history's wickedest men, a service to the justice that Josephine Tey first demanded in The Daughter of Time.” ―Christopher Hitchens, The Atlantic“Whether we accept Ms Mantel's reading of history or not, her characters have a lifeblood of their own . . . . a Shakespearean vigour. Stylistically, her fly-on-the-wall approach is achieved through the present tense, of which she is a master. Her prose is muscular, avoiding cod Tudor dialogue and going for direct modern English. The result is Ms Mantel's best novel yet.” ―The Economist“A novel both fresh and finely wrought: a brilliant portrait of a society in the throes of disorienting change, anchored by a penetrating character study of Henry's formidable advisor, Thomas Cromwell. It's no wonder that her masterful book just won this year's Booker Prize . . . [Mantel's prose is] extraordinarily flexible, subtle, and shrewd.” ―Wendy Smith, The Washington Post“A huge book, in its range, ambition . . . in its success. [Mantel's] interest is in the question of good and evil as it applies to people who wield great power. That means anguish, exultation, deals, spies, decapitations, and fabulous clothes . . . She always goes for color, richness, music. She has read Shakespeare closely. One also hears the accents of the young James Joyce.” ―Joan Acocella, The New Yorker“Dazzling . . . .Thomas Cromwell remains a controversial and mysterious figure. Mantel has filled in the blanks plausibly, brilliantly. Wolf Hall has epic scale but lyric texture. Its 500-plus pages turn quickly, winged and falconlike . . . . both spellbinding and believable.” ―Christopher Benfey, The New York Times Book Review“Mantel's abilities to channel the life and lexicon of the past are nothing short of astonishing. She burrows down through the historical record to uncover the tiniest, most telling details, evoking the minutiae of history as vividly as its grand sweep. The dialogue is so convincing that she seems to have been, in another life, a stenographer taking notes in the taverns and palaces of England.” ―Ross King, Los Angeles Times“Darkly magnificent . . . Instead of bringing the past to us, her writing, brilliant and black, launches us disconcertingly into the past. We are space-time travelers landed in an alien world . . . history is a feast whose various and vital excitements and intrigues make the book a long and complex pleasure.” ―Richard Eder, The Boston Globe“Arch, elegant, richly detailed . . . [Wolf Hall's] main characters are scorchingly well rendered. And their sharp-clawed machinations are presented with nonstop verve in a book that can compress a wealth of incisiveness into a very few well-chosen words . . . Deft and diabolical as they are, Ms. Mantel's slyly malicious turns of phrase . . . succinctly capture the important struggles that have set her characters talking.” ―Janet Maslin, The New York Times“Brilliant . . . A provocative, beautifully written book that ends much too soon.” ―The Plain Dealer (Cleveland)“The essential Mantel element . . . is a style--of writing and of thinking--that combines steely-eyed intelligence with intense yet wide-ranging sympathy. This style implies enormous respect for her readers, as if she believes that we are as intelligent and empathetic as she is, and one of the acute pleasures of reading her books is that we sometimes find ourselves living up to those expectations. . . . If you are anything like me, you will finish Wolf Hall wishing it were twice as long as its 560 pages. Torn away from this sixteenth-century world, in which you have come to know the engaging, pragmatic Cromwell as if he were your own brother--as if he were yourself--you will turn to the Internet to find out more about him . . . But none of this, however instructive will make up for your feeling of loss, because none of this additional material will come clothed in the seductive, inimitable language of Mantel's great fiction.” ―Wendy Lesser, Bookforum“Mantel sets a new standard for historical fiction with her latest novel Wolf Hall, a riveting portrait of Thomas Cromwell . . . Mantel's crystalline style, piercing eye and interest in, shall we say, the darker side of human nature, together with a real respect for historical accuracy, make this novel an engrossing, enveloping read.” ―BookPage“The story of Cromwell's rise shimmers in Ms. Mantel's spry intelligent prose . . . [Mantel] leaches out the bones of the story as it is traditionally known, and presents to us a phantasmagoric extravaganza of the characters' plans and ploys, toils and tactics.” ―Washington Times“Historical fiction at its finest, Wolf Hall captures the character of a nation and its people. It exemplifies something that has lately seemed as mythical as those serpent princesses: the great English novel.” ―Bloomberg News“Inspired . . . there are no new stories, only new ways of telling them. Set during Henry VIII's tumultuous, oft-covered reign, this epic novel . . . proves just how inspired a fresh take can be. [Mantel] is an author as audacious as Anne [Boleyn] herself, imagining private conversations between public figures and making it read as if she had a glass to the wall.” ―People Magazine (four stars, People Pick)“A deft, original, but complicated novel. Fans of historical fiction--or great writing--should howl with delight.” ―USA Today“[Mantel] wades into the dark currents of 16th century English politics to sculpt a drama and a protagonist with a surprisingly contemporary feel . . . Wolf Hall is sometimes an ambitious read. But it is a rewarding one as well.” ―Marjorie Kehe, The Christian Science Monitor“This masterwork is full of gems for the careful reader. The recurring details alone . . . shine through like some kind of Everyman's poetry. Plainspoken and occasionally brutal, Wolf Hall is both as complex and as powerful as its subject, as messy as life itself.” ―Clea Simon, The Boston Phoenix“Reader, you're in excellent hands with Hilary Mantel . . . for this thrumming, thrilling read. . . . Part of the delight of masterfully paced Wolf Hall is how utterly modern it feels. It is political intrigue pulsing with energy and peopled by historical figures who have never seemed more alive--and more human.” ―Ellen Kanner, Miami Herald“Wolf Hall is a solid historical novel that's also a compelling read . . . Mantel's narrative manages to be both rich and lean: there's plenty of detail, but it's not piled in endless paragraphs. The plot flows swiftly from one development to the next.” ―David Loftus, The Oregonian“[Mantel] seamlessly blends fiction and history and creates a stunning story of Tudor England . . . . With its excellent plotting and riveting dialogue, Wolf Hall is a gem of a novel that is both accurate and gripping.” ―Cody Corliss, St. Louis Post-Dispatch“[A] spirited novel . . . . Mantel has a solid grasp of court politics and a knack for sharp, cutting dialogue.” ―Thom Geier, Entertainment Weekly“This is in all respects a superior work of fiction, peopled with appealing characters living through a period of tense high drama‚There will be few novels this year as good as this one.” ―Library Journal, starred review“Mixing fiction with fact, Mantel captures the atmosphere of the times and brings to life the important players.” ―Publishers Weekly

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About the Author

Hilary Mantel is the bestselling author of many novels including Wolf Hall, which won the Man Booker Prize and the National Book Critics Circle Award for fiction. Bring Up the Bodies, Book Two of the Thomas Cromwell Trilogy, was also awarded the Man Booker Prize and the Costa Book Award. She is also the author of A Change of Climate, A Place of Greater Safety, Eight Months on Ghazzah Street, An Experiment in Love, The Giant, O'Brien, Fludd, Beyond Black, Every Day Is Mother's Day, and Vacant Possession. She has also written a memoir, Giving Up the Ghost. Mantel was the winner of the Hawthornden Prize, and her reviews and essays have appeared in The New York Times, The New York Review of Books, and the London Review of Books. She lives in England with her husband.

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Product details

Series: Wolf Hall (Book 1)

Paperback: 604 pages

Publisher: Picador; First edition (August 31, 2010)

Language: English

ISBN-10: 0312429983

ISBN-13: 978-0312429980

Product Dimensions:

5.5 x 1.1 x 8.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

2,649 customer reviews

Amazon Best Sellers Rank:

#40,372 in Books (See Top 100 in Books)

Movies based on books rarely live up to the magic of the book. That’s not a condemnation of movies or the movie industry, but rather a reflection of greatest source of magic of all—man’s imagination. No reality ever lives up to my best fantasies.Normally, I read a book first and then—if a subsequent film production gets rave reviews—I’ll see the movie. Occasionally, the movie will live magnificently up to all my wildest expectations; To Kill a Mockingbird is a good example of movie-from-book perfection. And occasionally, rarely, a movie will surpass the book. I thought The Graduate a mediocre book, but the movie was and always will be a classic portrait of a particular time and place.Which brings us to Wolf Hall. I’m not sure how and why I missed the book. It won a Man-Booker Prize (Great Britain’s equivalent of the Pulitzer, though over there they might say the Pulitzer is America’s equivalent of the Booker) and then author Hilary Mantel turned right around and won another Man-Booker for the sequel to Wolf Hall, Bring Up the Bodies. That is, I believe, the only time Booker prizes have ever been awarded to a novel and then its sequel.Not only had I missed the book(s), but at first, when I saw the trailers on PBS for the film version, I wasn’t all that intrigued. Downton Abbey had just finished its last episode of the season and it was hard to imagine anything equaling that. So, a mini-series based on Henry VIII and his wretched excesses, told from the point of view of Thomas Cromwell, one of the king’s, ah, shall we say, less fastidious enablers… Ho, hum. I’ve read my history; I’ve seen A Man for All Seasons; been there, done that. But a Close Relative By Marriage insisted we watch, and after the first ten minutes you could have set fire to my chair and I wouldn’t have left. That’s how good the production was, and Mark Rylance, the British actor who stars as Thomas Cromwell, gave one of the most compelling performances I have ever seen: quiet, understated, absolutely convincing, and absolutely electrifying. So consider this also a rave review for the PBS series.(By the way, for those of you interested in historical tidbits: any great English house with “abbey” as part of its name, as in Downton Abbey, is so named because when Henry VIII, aided by Thomas Cromwell, took the great monasteries from the Pope, he awarded some of those lands to favored courtiers who retained the appellation “abbey.”)After the second episode I galloped to my desk and ordered copies of both Wolf Hall and Bring Up the Bodies for myself and just everybody I know, and as soon as they arrived, I dove in. Now I know why Hilary Mantel won the Man-Booker twice. She deserves it.In case you’re even more of a troglodyte than I and you’ve never heard of Hilary Mantel or Wolf Hall and Bring Up the Bodies, yes, it’s Henry VIII and all his unfortunate wives and all those men and women who circled around the king and his court like flies around a corpse, but… But how much do you actually know about Thomas Cromwell? Ah. That’s the point. That’s part of Hilary Mantel’s genius: she has taken a famous and influential man about whom little is known and gone to town with him.Thomas Cromwell is one of those mysterious figures in history who beggar the imagination. Acknowledged as arguably the single most influential minister (that’s minister in the political sense, not ecclesiastical) in all of English history, he seems to have sprung fully evolved out of his own imagining and will power. Even the authoritative Encyclopedia Britannica describes his origins and early life as “obscure.” Probably (no one knows for certain) born around 1485; probably (no one knows for certain) born in Putney, at that time a decidedly seedy suburb of London; probably (no one know for certain) born to a man who may have been named Cromwell, but who may have been named Smyth who was probably (no one knows for certain) a blacksmith, but who might have been a brewer or a cloth merchant or all of the above; Thomas Cromwell probably (no one knows for certain) and improbably somehow ended up in Italy early in his life; he probably (no one knows for certain) lived in the Low Countries (think Flanders, Holland, Belgium); and he was probably (no one knows for certain) somehow associated with the London Merchant Adventurers. His early history contains the qualifying words “seems,” “appears,” “might have,” and “probably” almost more than any others.And yet, somehow, out of these inauspicious beginnings, Thomas Cromwell suddenly burst into history in 1520 as a solicitor (that’s “lawyer” to we simple-minded Americans) to the great and immensely powerful Cardinal Wolsey. How did a man from such meager beginnings in such a rigidly stratified society manage to catapult himself into the halls of power and the pages of history?I stumbled across an interview on the internet with Hilary Mantel, and that question is pretty much what compelled her to start her journey. So that’s half the genius.The other half is Mantel’s writing.To quote Rudyard Kipling:“There are nine and sixty ways of constructing tribal lays,And every single one of them is right.”Doubtless very true, and who am I to question as great a writer as Rudyard Kipling? But some methods of construction are righter than others, and Hilary Mantel’s writing is breathtaking.Of all the varied ways of constructing tribal lays, the one that appeals most to me is the kind where a master artist plays with his or her materials. Think Shakespeare. Think Faulkner. Think Cormac McCarthy. Think Hilary Mantel. The English language, so rich and varied, so ripe with multiple subtle meanings, lends itself to a kind of imaginative playfulness, verbal pyrotechnics, if you like, that amaze and delight. She writes in the present tense, third person singular, which lends an urgency to her tale, but she jumps back and forth in time, sometimes in a sentence, sometimes in a paragraph, sometimes in a section, using the mnemonic device of Cromwell’s memories to give us information about him and his past. But it is the oblique grace with which she tells her story that is so delightful. I will give you one example.Bring Up the Bodies, the second volume of what will eventually become Mantel’s trilogy, opens with Thomas Cromwell and Henry VIII out hawking. In Wolf Hall, Cromwell’s daughters have died, but he cannot allow himself the luxury of grief. He lives to serve the king, and as a minister to the king he cannot indulge in such distracting luxuries as grief or rage or love or hate. Whatever he might feel or want must be subsumed in service to the throne. So in “Falcons,” the opening chapter of Bring Up the Bodies, Cromwell and Henry are sitting their horses and watching their falcons, and a lesser, more pedestrian, writer might have opened the book with a paragraph such as:“Cromwell watches his falcons plunging after their prey. He has named the birds after his daughters, and as he and the king watch from horseback, this one, Grace, takes her prey in silence, returning to his fist with only a slight rustling of feathers and a blood-streaked breast…”And so on.Now, consider this, Señorita; consider how Hilary Mantel handles the opening.“His children are falling from the sky. He watches from horseback, acres of England stretching behind him; they drop, gilt-winged, each with a blood-filled gaze. Grace Cromwell hovers in thin air. She is silent when she takes her prey, silent as she glides to his fist. But the sounds she makes then, the rustle of feathers and the creak, the sigh and riffle of pinion, the small cluck-cluck from her throat, these are sounds of recognition, intimate, daughterly, almost disapproving. Her breast is gore-streaked and flesh clings to her claws.”If you don’t like that, you don’t like chocolate cake.

You probably already know the story, about Henry VIII wanting to divorce his first wife and marry Anne Boleyn. Much has been written about how great this book is, and I won't contradict that. The charm of the book, as I see it, is that it is written in (what I suppose is) the sixteenth century way of talking, and it puts you right into the story, because it is as seen through the eyes of the protagonist Thomas Cromwell. This is a selection of a friends' book club, so I am going to finish it and enjoy the discussion. My complaint is that in the interest of maintaining the historical flavor, the writing is almost impenetrable. I have to read sentences and paragraphs twice to figure out who is talking. It is often unclear who "he", "him", and "his" refer to, but in those cases you can usually assume Thomas Cromwell is meant. Lots of period vocabulary, like "chough" "martinmas" etc. (Footnotes would have been welcome, but maybe you are supposed to know or not care.) It helps that there is a list of characters and family tree. On the plus side, the details about life in the sixteenth century provide a lot of flavor. It might help to prepare yourself by reviewing the history of that period before you start the book. My only complaint is the effort required to decipher the text. I wrote the preceding after 100 pages onto the book. I am now adding to my review after another 300 pages read. The story is very interesting, but the writing is almost incomprehensible. This may be only a matter of my personal preference, but I think that a prize winning author should be able to tell a story clearly. I understand that "literary" writing often makes a virtue of obscurity; books like that I don't like. I cannot tell whether Hilary Mantel is evasive, deceptive, dishonest, or simply unable to write simple English. Earlier I said that the list of characters was helpful. Actually it would have been a lot better of the characters were listed alphabetically, so that every time you come across a new name you don;t have to read through the entire list. The family trees, also -- they were OK , but the Boleyn family tree would have been more useful. Within each paragraph, a person is referred to variously by his first name, last name, or title, so you cannot be sure who is saying what, until you have read it a few times. If you want to read this book you should first read the history -- for example, Henry VIII in wikipedia -- and then you will be able to follow the story more easily.Who are the judges who decide the Man Booker prize? I don't respect their judgment. I suspect that they had the same problems that I did but were embarrassed to admit it.

This is a brilliant, stylistic historical novel. Thomas Cromwell is one of the most interesting men in history, and Mantel makes the most of this. Cromwell's wit, his intensity, his striving, his motivations are all compellingly conveyed. It is very hard to put this book down. My favorite device of Mantel's is the use of "He" almost always refers to Cromwell. It makes the flow better and makes us feel like we are in on it. This is a must read for anyone who loves great story-telling and English history. I put off reading it for a while because it was so popular, but it is really good and well worth it.

I found this book on a list of "If you enjoy House of Cards, then try..." This book can appeal to literature snobs, political junkies, and people who enjoy the parts of Game of a Thrones that don't involve magical dragons. Don't give up if you're put off by the second person present tense that creeps up from time to time---this book puts readers in the room at the most shocking turning points in history.

Wolf Hall focuses on the early career of Thomas Cromwell who was to become of one Henry VIII's top officials. Mantel takes great care in creating a plausible and likable character. This is important because as you go on to the second book Bring up the Bodies, Thomas Cromwell is also revealed as efficient hatchet man for Henry VIII.The book is rich in historical details about how people lived, their houses, their social relationships etc. I found this very interesting. As Cromwell prospered, his household expanded but not necessarily with servants but with young men he was training or people he was taking care of.

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Wolf Hall, by Hilary Mantel PDF